While I love the process of painting, I also love the process of installation. When I exhibit my work I often find myself obsessively working to create an environment to view my paintings in that mimics the context that the work was created in; reclaiming the white cube to be a space that feels intimate and accessible.
During the time I lived in Seattle I began to learn to bead. My chicha (grandmother) Lorraine Anderson was a master beadworker, and she passed away when I was young due to Alzheimer’s, so I didn’t get to hear her talk about her memories while we were on this planet together. I started beading out of homesickness, because I wanted to understand her better, and to reconnect to my heritage while living off reservation.
photo by Sierra Grove
https://sierragrove.wixsite.com/website